Karl Kippola Associate Professor Performing Arts
- Additional Positions at AU
- Director, Theatre & Music Theatre Program
- Degrees
- PhD, Theatre and Performance Studies, University of Maryland;
MFA, Acting, Wayne State University;
BA, Drama, University of Montana;
Associate of Arts, Olympic College - Bio
- A full-time faculty member at 国产小呦女 since 2003, and program director from 2016 to 2023, Karl Kippola holds a BA in Drama (University of Montana), an MFA in Acting (Wayne State University), and a PhD in Theatre (University of Maryland). As an actor (AEA and SAG), director, choreographer, adapter, and dialect coach, Kippola has been involved in well over a hundred productions throughout the country. Locally, he has worked with Everyman Theatre, Rep Stage, Olney Theatre, Theatre J, Festival Productions, Baltimore Shakespeare, Virginia Shakespeare, Bay Theatre, Imagination Stage, Metro Stage, Round House, Center Company, Firebelly, Ford's Theatre, and the Shakespeare Theatre. At AU, he has directed Kiss Me, Kate; Of Thee I Sing; The Mystery of Edwin Drood; Hamlet; Urinetown; The Country Wife; Tartuffe; Oklahoma; Company; The 25th Annual Putnam County Spelling Bee (2012, 2021); Guys and Dolls; The Alchemist; The Lower Depths; No, No, Nanette; Allegro; The Crucible; How to Succeed in Business Without Really Trying; The Women, and Sense and Sensibility. He has delivered papers at several conferences and has published articles in the Journal of American Drama and Theatre, Theatre Symposium, Theatre Journal, Theatre Survey, and Theatre History Studies. His research focuses on musical-theatre history and nineteenth-century American theatre. His book, Acts of Manhood: The Performance of Masculinity on the American Stage, 1828-1865, was published by Palgrave Macmillan in 2012.
- See Also
- For the Media
- To request an interview for a news story, call 国产小呦女Communications at 202-885-5950 or submit a request.
Teaching
Summer 2024
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PERF-220 Reflect of Am Society on Stage
Fall 2024
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PERF-220 Reflect of Am Society on Stage
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PERF-314 Theatre Performance Practicum: Survey of Musical Theatre
Scholarly, Creative & Professional Activities
Research Interests
- Karl Kippola鈥檚 academic research focuses primarily on the performance of masculinity on the nineteenth-century American stage.聽 He also has studied and explored a range of issues related to musical theatre history and performance practices.
Professional Presentations
- Commissioned Paper 鈥 鈥溾楢 Mountain of a Man:鈥 Edwin Forrest鈥檚 Performance of American Masculinity.鈥 The Geography of Americanism: Creating Antebellum Culture 鈥 William Gilmore Simms/Edwin Forrest Bicentennial Celebration, 2006
- Paper Presentation 鈥 鈥淪agacious Satire or Shallow Shenanigans: The Relevance of Gershwin鈥檚 Of Thee I Sing Then and Now.鈥澛 Association for Theatre in Higher Education, 2005
- Paper Presentation 鈥 鈥淔rom Gentility to Madness: The Dangers of Emulation in the Life and Career of John C. McCullough.鈥 International Federation of Theatre Research, 2005
- Panel Presentation 鈥 鈥淒oes Race Matter on Stage Now?鈥澛 Association for Theatre in Higher Education, 2004
- Seminar Paper 鈥 鈥淪ubstantiating the Ephemeral: The Historical Uses of Edwin Booth.鈥澛 American Society for Theatre Research, 2003
- Panel Presentation 鈥 鈥淩aising the Dead: Performing Lost Theatre Histories.鈥澛 Southeaster Theatre Conference, 2003
- Paper Presentation 鈥 鈥淎lternatives to Anglomania: Constructing Theatrical Models of Masculinity in the Early American Republic.鈥澛 Society for Early Americansists, 2003
- Paper Presentation 鈥 鈥淪uppressing the Female Voice: Edwin Forrest鈥檚 Silencing of Women in Robert T. Conrad鈥檚 Jack Cade.鈥澛 Southeastern Theatre Conference, 2002
- Paper Presentation 鈥 鈥淪hades of Difference: From The Quadroon (1856) to the Octoroon (1859).鈥澛 New England Popular Culture Association, 2001
- Panel Chair 鈥 鈥淏orders, Citizenship, and National Belonging.鈥澛 American Literature Association, 2001
Honors, Awards, and Fellowships
- Effy Award for Best Supporting Actor, 2006-2007
- Judge for Helen Hayes Awards, covering professional DC theatre, 2004-2007
- Baltimore Theatre Alliance Award, Best Play, 2006, Opus
- Mellon Fellowship, Library Company of Philadelphia & Historical Society of Pennsylvania, 2002-2003
Selected Publications
- 鈥淭he Masculine Transformations of 鈥楪enial鈥 John McCullough,鈥 in Theatre History Studies, 27, 2007.
- Book review of Women鈥檚 Contribution to Nineteenth-Century American Theatre, edited by Miriam Lopez Rodriguez and Maria Dolores Narbona Carrion, in Theatre Survey, 27 (1), May 2006
- Performance review of Big Death and Little Death, by Mickey Birnbaum, performed by the Woolly Mammoth Theatre Company, Washington, DC, Theatre Journal, 57 (4), December 2005.
- 鈥淓dwin Booth,鈥 in Companion to American Drama, ed. Jackson R. Bryer and Mary C. Hartig (New York: Facts on File, 2004), 64.
- 鈥淪uppressing the Female Voice: Edwin Forrest鈥檚 Silencing of Women in Robert T. Conrad鈥檚 Jack Cade,鈥 in Theatre Symposium, 10, Fall 2002.
- 鈥淭he Battle-Shout of Freemen: Edwin Forrest鈥檚 Passive Patriotism and Robert T. Conrad鈥檚 Jack Cade,鈥 in The Journal of American Drama and Theatre, 13 (3), Fall 2001.
Exhibitions/Performances
- 国产小呦女Directing: Tartuffe; The Country Wife; Urinetown; Hamlet; The Mystery of Edwin Drood; Of Thee I Sing; and Kiss Me Kate.
- DC-area Directing: Tartuffe (Journeymen Theatre Ensemble); Frosty the Snow Man (Adventure Theatre); 2006 GALA: Imagination Works Wonders (Imagination Stage); and Betrayal (Bay Theatre Company).
- Other Representative Directing Credits: Scapin, SubUrbia, The Drunkard, and Waiting for Godot (University of Maryland); Forum and Me and My Girl (Blatt鈥檚 Dinner Theatre).
- Dorian in Opus (Everyman Theatre Company) 鈥 Baltimore Theatre Alliance Award for Best Play, 2006
- Malvolio in Illyria (Virginia Shakespeare Festival) 鈥 Effy Award for Best Support Actor, 2006-2007
- Serge in Art and Tyler Rayburn in Light Up the Sky (Everyman Theatre Company)
- Richie Stella in Intelligence and Johann Friedrich Fasch in Bach at Leipzig (Rep Stage)
- Alfie Byrne in A Man of No Importance; Sergius Saranov in Arms and the Man; and The Sneeze (Bay Theatre Company)
- Banquo in Macbeth; Stephano in The Tempest; The Complete History of American Abridged; and The Complete Works of William Shakespeare Abridged (Virginia Shakespeare Festival)
- Other DC-area Acting Credits: Ford鈥檚, Shakespeare Theatre, Olney, Baltimore Shakespeare, Imagination Stage, Firebelly, and Center Company.