Monica Jeffries Hazangeles鈥 24-year career at Strathmore crescendoed in August when the longtime president added 鈥淐EO鈥 to her title, succeeding founder Eliot Pfanstiehl. An accomplished flutist, Jeffries Hazangeles, CAS/MA 鈥96, will conduct a symphony of activity at the beloved North Bethesda, Maryland, arts space. Strathmore hosts more than 250 performances each year鈥攆rom the Gipsy Kings to Diana Ross to Bill Murray鈥攁long with myriad art exhibits, educational programs, and community events. 鈥淎s a musician and educator, I am inspired by how the arts elevate, enrich, and transform us,鈥 Jeffries Hazangeles says. 鈥淗ere at Strathmore, those transformative moments are created and celebrated every day.鈥澛
1967: Born in Uniontown, Pennsylvania.聽
1973: Moved to Lakeland, Florida. 鈥淢y earliest memories include listening to records with my parents and putting on shows with my sister, Mary.鈥
1979: Signed up to play the clarinet at Southwest Junior High School. 鈥淏ut I couldn鈥檛 make a sound, so they handed me the flute and said, try this.鈥 聽
Played the flute in the concert and marching bands and the tenor saxophone in the jazz band. 鈥淚 was hooked. I loved being surrounded by and making music with other musicians.鈥澛
1980: Began taking weekly private lessons with Marsha Whitney in Bartow, Florida, a 25-minute drive from home.
1985: Enrolled at Florida State University. Joined the orchestra and concert band and learned to play the Baroque flute and recorder.聽
1989: Graduated with a bachelor鈥檚 in flute performance.
Enrolled at the University of Missouri-Kansas City Conservatory of Music and Dance to study under Mary Posses鈥攚ho went on sabbatical a year later. 鈥淭hat proved to be a pivotal opportunity for me. I was asked to take over the undergrad flute studio鈥攖hat opened up a whole new world of the arts.鈥
1990鈥1992: Worked as an administrative assistant at the Friends of Chamber Music in Kansas City, where she developed a knack for organizational development. 鈥淚 always had a singular role as an instrumentalist. That job gave me a larger view of how the arts are pulled together, created, and produced.鈥 聽
1991: Graduated with a master鈥檚 in flute performance. 聽
1992: Moved to Bethesda and enrolled in the arts management master鈥檚 program at AU.
1993鈥1994: Joined the Smithsonian Institution as a program coordinator after interning there. Presented concerts in auditoria at museums on the National Mall. 聽
1994: Hired as an events coordinator鈥攖he first of several positions鈥攁t Strathmore. 鈥淥ne of my first assignments was overseeing the Family Festival, which was happening three weeks after I arrived. I fell in love with the community.鈥
1996: Graduated from AU.
1996鈥1997: Worked on her first capital campaign to renovate the Mansion at Strathmore, a Colonial Revival-style structure built in 1899, and to build the sculpture garden.
1998: Kicked off a $110 million fundraising campaign for the Music Center at Strathmore鈥攁 1,976-seat concert hall and education center. Construction began three years later.
2005: The Music Center at Strathmore opened. 鈥淚t鈥檚 an intimate, warm space. Joy for me comes from watching the joy on others鈥 faces as they take in a performance.鈥澛
2010: Helped bring the Latin Dance Competition for Montgomery County high schoolers to Strathmore. 鈥淚鈥檓 very proud that these dances and cultures are celebrated here. It鈥檚 a huge, indoor pep rally for 鈥╰he arts.鈥 聽
2011: Named president of Strathmore.聽
Appeared for the first of four times on Washingtonian magazine鈥檚 list of the 鈥100 most powerful women in Washington.鈥 聽
2014: Received the Alumni Achievement Award from AU, where she also serves on the Arts Management Advisory Council.
2018: Named president and CEO of Strathmore, succeeding Eliot Pfanstiehl, who founded the institution in 1981. 鈥淔or the past 24 years, I have been profoundly motivated by [Strathmore鈥檚] mission, people, and community. I cannot imagine a greater honor than to serve as its next leader.鈥